Charcoal on 11x14 paper. It's strange that even before I hit the paper I knew that this time it'll be a different perspective of approach in my study of this figure. I was thinking mostly on treating the light in a more conscientious and intellectual way, and not just by going by instinct of not having my brain "to have a part of it". It came out easy and fast, and not being enslaved by hit and miss, by its tedious detail, by anatomy, or of any other choices an artist has to deal with. I dealt the form by way of looking at light, and with that it came out all together in linear, planar, and light and shadows as I progress. On top of all, everything has to make sense.